She mightn’t be 13, but that hasn’t stopped Andrea Corr having her own Bebo page, which includes 30 second previews of three songs from her upcoming Ten Feet High album.
Making her solo debut, Andrea Corr has set about re-casting herself as a vampish singer with a taste for dark beats and sultry wordplay. In a forthright interview, she talks about her unexpected re-invention.
Niall Stokes: As a band you took more responsibility with In Blue you have a greater level of input into the production and so on. Was that a strain when you were doing it?
At the end of another eventful year, Andrea Corr takes time out to reflect on life, death, love, health, music and her role, off-stage and on, in the family that plays together. Interview: Niall Stokes
U2, Andrea Corr, The Dubliners, Sinead O'Connor and Kila are among the acts who will appear on tonight's Late Late Show to perform their tribute to Ronnie Drew.
Andrea Corr as the "local girl" who falls for a fiddle player from Liverpool? Yep, when she reignites her acting career to star in romantic musical-comedy the Great Ceili War
If you’ve been aching for a twee diddle-de-di confection set in the depressingly prehistoric Ireland of the '60s, then The Boys And Girl From County Clare is guaranteed to float your boat like no flick since Waking Ned.
Not content with dueting with Bono at the Live 8 finale in Edinburgh, Andrea Corr hits the big screen again this month in a 25-minute thriller called The Bridge.
U2, Simon Carmody and Kila have led a collaboration on a special tribute to Ronnie Drew, which was recorded in Windmill Lane Studios in Dublin, over the past few days.
THE CORRS' public image is one of unblemished beauty and soaraway success. But beneath the pop sheen lurk the darker lyrical themes of Andrea
Corr.
JOE JACKSON talks to her about the inspiration behind some of the Corrs' biggest hits, hears her anger at recent critical reaction and finds out what "Ireland's sexiest woman" really thinks about love, sex, drugs and rock 'n' roll and the whole damn thing.
Ten Feet High is surprisingly playful, but in a serious way. For the most part, Corr and producer Nellee Hooper have fashioned a hybrid of high street pulses, airy melodies and acoustic chamber pop.
The idea for Home, an album of Irish songs, has been on the agenda for The Corrs for a number of years. But its release marks an important stage in the evolution not just of the band, but of lead singer Andrea Corr – who has been exploring new ways of expressing herself as an artist with increasing poise and confidence.
The name is unfamiliar (and let's face it, absolutely ridiculous) but in the States they have notched up Grammy nominations and hit singles to beat the band. Of course, the fact that they have received such plaudits is no indication of quality. In fact, Sixpence None The Richer come across as an indie version of The Corrs, complete with titles like 'We Have Forgotten' and Andrea Corr-style vocals from Leigh Nash.
By any standards, The Corrs are an extraordinary phenomenon. It won't be long before the combined global sales of their albums to date top the 20 million mark. In Ireland alone, by the end of the year, they will have sold over a million records - at which point they may well have established themselves as the biggest-selling Irish act of all time on home turf.
Gavin Friday has been talking about his involvement in a Johnny Depp-inspired project that also involves Bono, Andrea Corr, Tom Waits, Nick Cave, Bryan Ferry, Antony & The Johnsons, Richard & Linda Thompson, Loudon Wainwright and some of his former Virgin Prunes bandmates.
As revealed earlier in the year, Bono, Andrea Corr and Gavin Friday are among the artists contributing to the CD Rogue's Gallery: Pirate Ballads, Sea Songs & Chanteys.
With Bono and Simon Carmody orchestrating it, and Kila minding the gap, the recording of a tribute to one of the most important and widely loved figures in the history of Irish music turned into a very special occasion indeed.
The new Hot Press follows hot on the heels the biggest weekend in Irish rock 'n' roll history, with The Ultimate Oxegen report, plus a world exclusive REM interview.
GEORGE MARTIN was intrinsic to much of The Beatles brilliance. Now he s coming to Dublin for a series of special concerts. GEORGE BYRNE sets the scene.
The CDs and DVD from the Nelson Mandela AIDS awareness show will be heavily Irish in their content; Plus more news from the U2 camp with a photo retrospective tipped for publication
His good humour apparently unblunted by years of drug addiction, Aslan’s Christy Dignam talks about heroin, sexual abuse and his belief in the redemptive power of music.
Here Dillon brings her warm, natural style to standards like ‘Black Is The Colour’, ‘Lark In The Clear Air’ and ‘I Am A Youth That’s Inclined To Ramble’.
John Walshe had a ringside seat for all the music, speeches, laughs and tears that made the 2002 hotpress Irish Music Awards in Belfast a night to remember.
Back in the '60s the MC5 made it on to the CIA's 'Most Wanted' list. Now, they're a chi-chi fashion accessory beloved of Jennifer Aniston and her Hollywood pals. Guitarist Wayne Kramer explains it all to Stuart Clark.
From the profound and the insightful to the weird, funny and just plain daft, Paul Nolan rounds up what the famous and infamous had to say for themselves in 2004...
It’s certainly plain to see how their teaming of sentimental, wide-eyed AOR and neo-trad power choruses is a hit with the audience, and they are indisputably talented, yet there is still something about the Corrs that strikes me as somewhat bloodless. Perhaps it’s me, for I haven’t seen an audience in the Point so animated and enthusiastic in ages.
He’s jammed with Bob Dylan, partied with Keith Moon, sued The Byrds, traded spiky tops with Rod Stewart, had close encounters with Presleys Reg and Elvis and played "name that key" with John Lee Hooker, but arguably the best moment in his life was when he was named small breeder of the year. RON WOOD, the man who would be the queen mum of rock 'n' roll, tells a mean tale.
Words: STUART CLARK. Pictures ROGER WOOLMAN
It's head-scratching, nail-biting, on-the-tip-of-your-tongue time again, as GEORGE BYRNE presides over our renowned annual music quiz [this is for the year 2000]
Four years is a hell of a long time in pop music – the fact that The Corrs could afford to lay low for such an extended period is a testament to the band’s confidence in their audience...
It’s the guide Ladbrokes, the Central Bank, Mystic Meg and Mark Lawrenson turn to at the start of each year – Jackie Hayden’s cultural, sporting and political forecasts for the forthcoming twelve months.
hotpress.com can reveal the line up for the 2004 Heineken Green Energy Festival, which returns to Dublin on the June Bank Holiday weekend - June 4th through 7th - in the courtyard of Dublin Castle.
...here's the Hot Press Irish Music Awards, and a massive bash avec much live music is pencilled in for Belfast in April. Read on for the categories and nominees in full
The Hot Press Irish Music Awards proved to be as keenly contested as ever with U2, Ash and The Corrs emerging as big winners. But the number of awards acknowledging nascent talent prove there’s more heavy-hitters waiting in the wings
The sun slicing through the Dublin evening skyline makes the after-work traffic bearable on the hike out to furthest Rathfarnham. Indeed, the gridlock is so bad that we miss the start of Interpol and have to be content to hear the masterful ‘NYC’ and the driving ‘Obstacle One’ while walking down the leafy path that leads to the venue.
Awards by the dozen, celebrities wall-to-wall, gobsmacking world exclusives and of course, great music: it can only be the Hot Press Irish Music Awards. Only 24 hours to go - here's how it's all shaping up
The illustration by David Rooney in the last issue of Hot Press, depicting a priest marturbating, was offensive not just to the clergy but also to women. At least that's what one caller to Joe Duffy claimed. It got us thinking as we prepared the Hot Press Women's Issue (though not, we have to say, for very long....)
Rogues Gallery, can be roughly – if fancifully – described as a Hallowe’en masqued ball staged on a decrepit ghost galleon. Featuring a cast of hundreds arrayed over two albums and 43 tunes, it’s an unruly assembly whose various belchings, bilgings and bemoanings lurch in tone and timbre from the bawdy to the doleful.
Hot Press gets saucy with a steamy Samantha Mumba shoot. Also, Sinead O'Connor goes wild in Jamaica, Damien Dempsey takes on the world and Andrea Corr fronts our women's issue.
